Tagged ‘screenwriting‘

Copy and paste lulz

Here is a screencap from some time way back, but I found it on my hard drive and every time I look at it I chuckle:

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The voice of a ghost rattling around in my head.

A Biographical Sketch


I was drunk for pretty much every waking moment from the age of thirteen until nineteen, including the irregular Eucharist I was badgered into on behalf of my dead Sainted mother. She was piety incarnate as far as anyone in the neighborhood was concerned, which is where I stayed mostly because wandering too far usually resulted in a split lip, busted nose and bruised knuckles. I guess the wandering didn’t account for it as much as the drinking, but hangovers never bothered me because there was always another flask on hand.

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Blood for the Blood God! Skulls for the Skull Throne! Milk for the Khorne Flakes!

a.k.a just a slew of Screenwriting resource links I rounded up to share with the Triangle Film Community website. Maybe something here you haven’t seen before, maybe not. Whatevs.
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Award season screenwriting goodies

Drew from @cinemasymposium was a total bro and kindly reminded about IndieWire’s collection of free screenplay downloads for this Oscar season. Maybe my personal favorite read of the year was Nightcrawler, which IndieWire doesn’t have listed, but Go Into The Story over at the Black List has you covered if you’re interested. Read more →

Plot analysis unicorns

I worked briefly for a film and theater producer who liked to speak of “pushing plot through” a script, as if plot were a waste product excreted through the screenplay’s GI tract. That makes the process, and the producer, sound crass and uncultured, but it was just the opposite: I can think of hardly anyone (certainly not most writers) who had such a sophisticated understanding of plot, who could see a story beat by beat. If yours wanted for drama, if its characters sometimes lacked motivation or some aspect of its narrative felt contrived, he could fix it, and not by cheapening or sensationalizing the plot, but by showing you, on your own terms, what the stakes really were. Tellingly, he eschewed the term plot arc, which summons a tidy rainbow of conflict and resolution, in favor of that uglier but truer “pushing plot through”: what a compelling story needs isn’t a clean trajectory but a healthy appetite and a good digestion.

-via @parisreview

Seriously, this guys exists? Sounds like my long-lost best friend. I wholly embrace the infinite and eternal plot analysis compulsion. I’m not sure I fully understand the processes of pooping out plot; but that’s okay, I am distracted easily.

What we really want to assimilate is Computational methods for detecting mood, tone, sentiment, or perhaps even affect. Extracting plot arcs from fiction. Quantifying sentiment. Vonnegut’s Man in a Hole.  Paul Harvey. A finite number of plots. Plus, Blood Meridian. This emotional valence sounds like the business.

If only I could figure out how to run George Saunders and Danielewski through the Syuzhet package. Then probably tattoo those plot graphs somewhere. Oh, and don’t break the capitol sin of the Internet: Don’t read comments.

The Three Laws

Be forewarned, these are hard and fast rules that supersede formatting, style, and etiquette. Immutable. Rules that ensure success. Rules for screenwriting, radicals, drug-running, and life in general:

1. Excuses are boring.
2. Hustle > talent.
3. Put the damn thing to bed.

“The Laws apply, as a matter of course, to every tool that human beings use.”