Circumstantial flummery from a would-be spoonbean hustler.

New Screenwriting Method: Ctrl+H your way to accolades and success

Ahh, the Black List. Obligatory cool kids club for screenwriters and crib sheet for development folk. Interesting to see they dispatched the whole under-the-table script trade slash screenplay hording aspect this year and distributed a dropbox link of all the scripts directly to the masses. I guess I’m all for not having to do illicit back-alley deals or arm-twisting the mailroom kids to read what’s in circulation, but I do wonder what the consensus is of the screenwriters that appeared on the list. Franklin Leonard should do a survey. Actually scratch that, he probably already does one since the Black List is all bout dat data . I guess the idea is that getting reads is never bad, but I’d probably feel a little conflict at being distributed to the internet at large.

I also wonder if/when the Nicholl Competition might start doing something similiar. Already they’ve started to evolve the whole competition process beyond the ‘closed door’ precedence, providing feedback, posting snippets. (Which I’ve missed out on completely having not entered since that was implemented). It will probably come down to the profit line. If Franklin sees measurables from the dropbox distribution (and reports on them) I’ll bet a dime that the Nicholl eventually revisits their quarter & semi list distribution process.

Anyway, I’m not really gonna offer up comments about the quality, concept or execution of the scripts on the list this year, but there was one other little thing that sticks in my craw. A compatriot in my screenwriting workshop brought to attention, via ScriptShadow’s comment section, that one of the scripts on the list this year was an unacknowledged lift of Kind Hearts and Coronets. It was a decent read, but for sure that plot, characters arcs, framing, etc wholesale larceny. And I know T.S. Eliot and Aaron Sorkin like to say “Good writers borrow, great writers steal,” but point of fact, Kind Hearts and Coronets is still under copyright, which took me all of two seconds to find in a search, so I’m thinking maybe some undue negative attention for the writer with the most machismo first middle last name string I’ve seen in a while (seriously, bro?). So, uh, good luck with that.

Meanwhile, let’s all be sure to take a second and thank Prince, God and the Hollywood Foreign Press.